0.19: There they are. The pink knickers.
1.01: Death in Vegas play in the background and there's Billo. Or Bill. I don't think he'd take to being called Billo. Jetlagged and looking out at the Tokyo night. He pulls up to the hotel.
2.31: He meets a woman whose name is 'Kawasaki.' He says it's all "very Japanese." It, presumably, is. He gets a note to tell him he's forgotten his son's birthday. Not sound.
3.41: Him sitting on the hotel bed, offof the poster.
3.55: The first sighting of the lounge singer, aka Carol Decker from T'Pau. Lots of Japanese men are smoking. In a bar. Somewhere, Micheál Martin's combover comes unstuck. Bill, meanwhile, tells a couple of travelling businessmen that he's visiting friends. They are drunk and they are cocks. Drunken cocks.
5.31: His wife faxes something about furniture. Why won't she let the man sleep? For the love of fuck.
6.04: The first appearance of Scarlett, being kept awake by Giovanni Ribisi's snoring. He's a bit cool. I don't like him. Just the character, mind, I find the acting of Mr. Ribisi to be agreeable.
7.19: Bill is too tall for his shower. Japanese people are small, you see?
7.59: Bill sees Scarlett in the lift. She thinks he's a dirty old pervert, probably. He's just missing home is all.
8.29: The whiskey ad. The director is a complete looper, and looks very like Dustin NGuyen of 21 Jump Street fame. A very animated man who shouts 'cutto cutto cutto,' which I take to be foreign for 'cut cut cut.' Bill is told to look intense, but he exudes bemusement.
10.14: Bill looks like Herman Munster. Too much eye-liner. "More... intensity!" the translator tells him. He just wants to be in Neary's.
11.32: Scarlett takes the train to a monastery. She later tells her sister on the phone that she 'felt nothing.' For me, she should stop her cod-acting and just have a Twix for herself.
13.39: Her sister sounds like a dickhead, all the same.
13.51: She's doing her make-up and tying up her hair. And lying on the bed. And hanging up decorations. She bangs her foot. She'll feel that in the morning, no way she'll be fit to face Grimsby Town on Saturday.
15.00: Giovanni Ribisi's getting ready to leave, but not before giving out to her for smoking in the room. He has a point. She should really go outside. But he loses credibility for wearing sunglasses indoors. What a geebag.
16.04: Bill's channel hopping, comes across one of his old films, an aged hooker calls to the door. "May I enter?" She asks him to 'lip my stockings.' She means 'rip.' He has no idea what the fuck is going on. She seems to think that his premium fantasy involves imprisonment and degradation, but he just wants her gone.
18.10: Next morning. He's eating breakfast with chopsticks. Breakfast sushi. Just crazy enough to work.
19.04: He's been invited to stay until Friday. He'd rather drink paint, but says he'll check with his agent.
19.34: 'Fred the agent' tells him to stay. Otherwise there wouldn't be a plot, not that there's much of a plot, but y'know... Anyway, he's making the whiskey ad and the director asks him to be Lodger Moore. James Bond. He's drinking iced tea, wants a real drink. Again with the eye-liner. (I'm never making a whiskey ad in Tokyo. Especially not a fictional one where I'm pretending to be Bill Murray pretending to Lodger Moore.)
22.45: Carol Decker again, making a complete and total BAGS of Scarborough Fair. For the love of crikey. This is Bill and Scarlett's meet-cute, she sends him over a Japanese delicacy and he toasts her from afar. He enters the lift and thinks "still got it!"
24.27: He's in the gym, and reminds me of John Barnes in that Lucozade Sport ad, except he's not very good at exercising and makes a bollix of the whole thing.
25.38: Anna Faris, playing an actress, enters. I wouldn't let her near the house. Far too shrill. She was crap in Friends, and that's saying something.
26.56: Scarlett and Giovanni have a little squabble and he fucks off for the rest of the film.
27.34: More Anna Faris, talking to some assembled journalists. Scarlett watches her press conference and thinks to herself, "I'd like to kick her in the back of the face."
29.00: Scarlett plays with some pretty flowers. She might get to like this Tokyo place after all.
30.00: Nothing on telly at night, so she heads down to the bar. She has the right idea. Booze is definitely better than indecipherable Japanese cartoons.
31.00: Bill's at the bar. This is the proper first encounter. He suggests a whiskey, she orders a vodka tonic. He reveals he's being paid €2m to endorse the whiskey. Nice work*.
32.00: He lights her cigarette, she asks if he's having a mid-life crisis. Bill dispenses some wisdom. I become distracted by the whiskey in his glass. Looks nice. Easily a triple.
33.00: Bill watches some aqua-aerobics, Scarlett goes to Dr. Quirkeys. She doesn't seem to be having a good time. I realise that Japanese pop music is really rather catchy.
35.17: Hang on, Giovanni Ribisi's back. I thought he'd pissed off! He should brush his hair. The cut of him.
35.55: Oh fuck. Anna Faris... Hell is full of Anna Farii.
37.15: Bill and Scarlett again. Safe ground. He's trying to organise a prison break. Remember Prison Break? I never saw it, but heard it was good, and then shite, and then quite good again.
38.11: Giovanni's wearing sunglasses indoors again. If ever a man needed a waterboarding...
39.00: Right, he's properly gone now. Time for Scarlett to look wan and lovely as she surveys the landscape from on high to some Japanese mood music...
So, what DOES he whisper in her ear at the end? I reckon he's warning her to avoid Rick's Hamburgers at all costs, but it's open to interpretation...